OBSERVATIONS ON THE HISTORICAL DEVELOPMENT OF PUPPETRY
INTRODUCTION
Puppetry is closely related
to feats of magic and conjuring. All through history, magicians entertained
in the public streets, and later, on the stage. The first magician recorded
in history was named Dedi in ancient Egypt and is mentioned on the Westcar
Papyrus of 1700 BC located at the East Berlin State
Museum. There also exists a wall painting in Beni Hasan, Egypt, (unfortunately
now submerged underwater during excavations in 1966), showing a conjurer performing
for another person the famous cups and balls trick. This is dated 2500
BC.
Milbourne Christopher, author of The Illustrated History of Magic,
mentions: "While Dedi's name is the only one that has survived from this
period, it is probable that contemporary conjurers were performing in Babylonia,
India, and China."
These tricks possibly
first originated in prehistoric times when tribal shamans (witch doctors)
performed them in order to display their prowess and to retain their position
of power against all those desirous of replacing them as their respective
tribe's spiritual leader. In Indonesia today the dalang (shadow
player) functions as a kind of shaman performing magic (wayang kulit,
or shadow play) for healing and exorcism of evil influences. Puppets, then,
can be seen as a magician's trick, where the mode of the movement of the
figures is hidden from the audience.
It may be that puppets
were derived from folk artists watching the spectacular public presentations
of automata--presented sometimes by official players--where all techniques
used to impart motion to the figures were concealed or secret. In their
attempts to imitate the automata, these folk artists may have hit upon
the means whereby puppets are manipulated.
In this paper we will
endeavor to provide a historical outline of the development of puppetry,
starting in the era BC in Egypt and India, and ending
in Europe in the eighteenth century AD.
CONTENTS:
Chapter One - Toys,
Dolls, and Automata
Chapter Two - Scenic
Shades
Chapter Three - Puppetry
Operational Procedures & Other Thoughts
Chapter Four - Europe
and Asia in the Era A.D.
Chapter
Five - Conclusion and References
E-mail address: kewi2001@yahoo.co.uk
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